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Against Nature by Joris - Karl Huysmans (1884)


“Immersed in solitude, he would dream or read far into the night. By protracted contemplation of the same thoughts, his mind grew sharp, his vague, undeveloped ideas took on form.”



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Type: Classic / Romance






Description


DESCRIPTION


Against Nature by Joris-Karl Huysmans is a novel in which very little happens; its narrative concentrates almost entirely on its principal character and is mostly a catalogue of the tastes and inner life of Jean Des Esseintes, an eccentric, reclusive aesthete and antihero, who loathes 19th-century bourgeois society and tries to retreat into an ideal artistic world of his own creation. Against Nature containes many themes which became associated with the Symbolist aesthetic. In doing so, it broke from naturalism and became the ultimate example of decadent literature. Jean Des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris which has left him disgusted with human society. Without telling anyone, he absconds to a house in the countryside. He fills the house with his eclectic art collection and decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.


FACT

- Ultimate example of Decadent literature & inspired Oscar Wilde

- This is the book that is mentioned which corrupts Dorian Gray


"One hardly knew at times whether one was reading the spiritual ecstasies of some medieval saint or the morbid confessions of a modern sinner. It was a poisonous book." Dorian Gray by Oscar Wilde


PRAISE

It will be the biggest fiasco of the year - but I don't care a damn! It will be something nobody has ever done before, and I shall have said what I had to say.' As Joris -Karl Huysmans announced in 1884, Against Nature was fated to be a novel like no other. Resisting the models of classic nineteenth-century fiction, it focuses on the attempts of its anti-hero, the hypersensitive neurotic and aesthete, Des Esseintes, to escape Paris and the vulgarity of modern life. Holed up in his private museum of high taste, he offers Huysmans's readers a treasure trove of cultural delights which anticipates many of the strains of modernism in its appreciation of Baudelaire, Moreau, Redon, Mallarme and Poe. This new translation is supplemented by indispensable notes which enhance the understanding of a highly allusive work.




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